Inspiration: Glen Kaufman, Kyoto Japan

Kyoto is a direct influence on Glen's artwork, especially his "Broken Cities" series from the mid-90s.


While studying his oeuvre in college, the graphic inspiration for Glen's work seemed obvious.

• Metal leaf is a regularly found element in ancient Japanese screen paintings, like the work of the Kano school.
• The sea of rooftop clay tiles of Kyoto can be seen through his studio window.
• The background silk is reminiscent of kimono fabrics.
• The overlay grid reflects the pattern of shoji screens.
• Japan is an earthquake prone area, and the "cracks" or broken iconography in the work symbolize not only the physical science of the area; but also symbolize the cultural shifts that move Kyoto away from its history and into the future.

But then, you go to Kyoto and see things completely differently. My previous assumptions were all valid to different degrees. But what you don't realize is the shocking prevalence of these elements until you see the city for yourself.


Yes, the use of metal leaf can be seen in the screen paintings of Nijo castle; but gold and silver leaf are also found throughout Kyoto ornamenting sculptural and architectural elements and artifacts. Its shimmering detail can be found throughout the city, not just in temples and shrines. Then, of course, there's the Golden Pavilion.


The rooftop tiles are perhaps the most recognizable single element of Kyoto. It's impossible to look across the city without being overwhelmed by the patterning, reflection and depth of these surfaces. They seem archaic with their matte textures and the oni (devils) perched at their peaks and end caps. The interplay of light and shadow on the roofs of homes, businesses and temples create an amazing show, culminating with the overlapping pitches of successive structures.

The presence of kimono, however, is not as obvious. But when you do see these flowing wrapped gowns, they make an incredible impact. While most Japanese opt for more modern attire, there are a significant number who do wear traditional kimono when shopping, visiting temples or performing cultural activities. When you see one of these individuals, the power of the kimono is apparent against a sea of cell phones and designer sunglasses. The beauty in the material, patterning and craftsmanship is unparalleled, especially when presented alongside the detached sleekness (and sometimes gaudiness) of the contemporary urban environment.